A beautiful pair of Qianlong period Chinese export porcelain plates decorated in famille rose enamels with a charming scene of a young gallant bowing to a lady reclining within a garden terrace, her bemused servant watching all from a window above, a European town lying in the distance. The rim decorated with a gilded, scrolling, rococo foliate border. One of the rarer and more desirable European scenes we have had judging from the collection of eminent dealer stickers on the reverse. 9″ in diameter. Very minor foot rim chip restored to the reverse of one, otherwise, excellent condition. Circa 1745-1750.
The fine quality one expects from the Yongzheng period with its thin potting and lovely famille rose enamels is exemplified here in these charming tea bowls and saucers, each centered with a strutting cockerel and surrounded by three open fans painted with peony blossoms which divide the space into a very graphic pattern. A pair with pink reserve fans, and a single with gilded reserve fans. Very good condition, the saucer measuring 4 1/4″ diameter, and illustrated in Howard’s Choice of the Private Trader. Circa 1735. $1100. ea
A very finely painted pair of Chinese export porcelain plates decorated in famille rose enamels with “The Doctor’s Visit” design after original images commissioned by the Dutch East India Company from Dutch artist Cornelius Pronk. The unusual outer border comprised of fish within shaped and scaled lozenges which alternate with vignettes of water fowl. The fish theme continues within the central scene as two of the seated characters are actually each holding a fish. What this has to do with a “doctor’s visit” we cannot profess to say as this design has simply always been called that and the origins are now lost. What is remarkable though, besides the fine painting and wonderfully refined color palette, is that a Dutch artist was commissioned to create patterns for Chinese porcelain, featuring Chinese images, that were sold back to the Dutch market! An exemplary pair with only the most minor issues; one plate with a chip filled, the other with a hairline sealed, otherwise beautiful! Measuring 10″ in diameter. Circa 1745. Priced individually.
A real tour-de-force of famille rose decoration, this wonderfully rich and symbolic Chinese export porcelain soup plate is vibrantly painted with a central scene of Mandarin ducks swimming amongst lotus; the ducks a symbol of marital bliss as they mate for life, and the lotus, the Buddhist symbol of purity, all encircled by a rim of the Eight Immortals, each upon an emblematic creature riding amongst swirling waves. Exotic imagery indeed, sure to have delighted the European clientele to which it was shipped, despite most of the Chinese symbolism having been lost on their Western audience. 9″ diameter.Very minor rim frits, otherwise excellent condition. Very early Qianlong period, circa 1740-45.
A great early Chinese export porcelain rectangular platter of octagonal form made for the American market and decorated en grisaille from a service made for Samuel Vaughan and Sarah Hallowell of Boston. The central decoration is based upon a rococo style armorial bookplate designed for Vaughan, and the rim contains vignettes of landscapes and birds upon flowering branches. The grisaille on the interior arms strengthened; rim reserves with somewear. One of two we have at present (see # 4713). . 9 1/2″ x 13 1/4″. Circa 1747. Illustrated in Schiffer’s China for America page 34.
We are very fortunate to have a pair of fine Chinese export famille rose figural candleholders, modeled after elegant court ladies holding a pair of vases. Each elegantly coiffed and arrayed in flowing robes tied with purple ribbons and decorated with roundels and sprigs of flowers, everywhere hightlighted with gilded detail. Each measuring 16 1/4″ tall. One with restored fingers and vase. Exceptional quality of decoration, and to have a pair! Truly rare survivors. Late 18th century.
Of impressive size and fine decoration, this Yongzheng armorial charger is painted in the famille rose palette that was just being developed about the time this service was ordered by Daniel Tuineman the Younger on a trip to China in 1732-33. The elaborate central armorial quite possibly includes a play on words as the Dutch word for “fence” sounds similar to the surname of this family; hence the gladiator figure standing in a fenced arena. The diapering in the cavetto, and the grisaille and gilded flowering branches, in reserve against the grisaille cellwork border, all display the quality so typical of the Yongzheng period. 15 1/4″ in diameter. Some minor surface abrasion and very small lines sealed in the rim, otherwise great condition. Circa 1732-33. Discussed in Kroes’ Chinese Armorial Porcelain for the Dutch Market, page 151.
A very fine Chinese export porcelain teabowl and saucer decorated for the European market in famille rose enamels with flowers known and grown in the West; sprays of parrot tulip, dianthus and roses float upon a background of thinly potted, beautiful, white porcelain. In excellent condition, the saucer measuring 4 3/4 ” in diameter. Circa 1760. One of a pair available.
Another fine example of Chinese export porcelain made for the Western market with specific European decoration, this charming teabowl and saucer is finely rendered with scenes of “Romantic Conversation”, most likely from prints after the French artist Pater. Measuring 4 1/2″ in diameter (saucer) and 2 1/2″ diameter (teabowl) and dating to circa 1750, it is pictured in Hervouet, La Porcelaine des Compagnies des Indes a Decors Occidentale, page 170.
An extremely rare and very fine Chinese export porcelain Yongzheng period desk set, exquisitely decorated with famille rose enamels depicting exotic birds amongst flowering branches and Mandarin scenes, as well as landscape vignettes in puce and en grisaille and borders of highly detailed gilded floral scrollwork. Comprising a covered pen box, pair of square inkwells and a candleholder. Measuring approximately 8″ wide, 4″ deep and 3″ tall. Candleholder restored as well as the top of one inkwell, otherwise superb decoration and amazingly complete, a vestige of when letter writing was an art form. Circa 1735.