A fine Chinese export porcelain plate decorated in Famille Rose enamels with images of koi swimming about the center within a cavetto with a very elaborate gilded scrolling border, the outer rim with landscape vignettes alternating with with gilded branches of peony-all exquisitely rendered as one expects to find during this period of superb porcelain production. The koi is a symbol of conjugal harmony and happiness as they are believed to mate for life. Measuring 9″ in diameter with a line to the rim, otherwise very good condition. Circa 1730-1735.
A great form, this lovely Chinese export porcelain kidney-shaped dish is wonderfully decorated in vibrant Famille Rose enamels centered with a scene of courtly gentlemen seated on a garden terrace with their attendants, all within a border of exotic bird vignettes alternating with raspberry enameled diapering, bamboo branches, and gilded scrolls. Measuring 8 1/4″ x 11 1/4″ and in very good condition. Circa 1810-1820.
A charming Chinese export porcelain teapot of molded form-the cover and lower portion of the pot shaped to resemble lotus petals and the lotus motif continues on the bottom of the piece as an applied lotus bud and stem which forms the feet upon which the piece rest. The hand-painted images of koi are a symbol of conjugal harmony as they are believed to mate for life. This is an excellent example of the fantastical sort of Chinese teawares that enthralled European consumers in the 18th century. In remarkably good condition. Measuring 4 1/2″ tall x 6″ wide. Circa 1735.
Yongzheng quality at its best-this thinly potted and meticulously hand-painted pair of Chinese export porcelain tea bowls and saucers are decorated in famille rose enamels with cartouches of peony blossoms against a gilded diapered ground. Very good condition, the saucers measuring 4 1/2″ in diameter, the tea bowls approximately 1 1/2″ tall-reflecting the pure luxury and rarity of tea in Europe at this time. Circa 1730.
A superb pair of Chinese export porcelain octagonal armorial soup plates of interest to both American and English market collectors as it is one of three services made for Samuel Vaughan, an English merchant and planter in Jamaica, who married Bostonian Sarah Hallowell in 1747. They relocated to England, but a large portion of the service returned to America after the Revolution when part of the family moved to Hallowell, Maine where they played a prominent role in settling the area in the new republic. Each piece centered with the arms of Vaughan impaling Hallowell, finely painted, the rims of the plates scattered with floral sprigs, illustrated and discussed on page 576 in Howard’s Chinese Armorial Porcelain, Vol. II. Each measuring 8 1/2″ across; one with two small rim chips on the reverse filled, the other with glaze lines on the reverse which do not show through, otherwise splendid enamels in good condition. Circa 1770.
A fine Chinese export porcelain Yongzheng period plate, hand-painted with Famille Rose enamels with a scene of a pair of pheasants perched amongst rockwork and flowering peony within a finely rendered gilded foliate cavetto, the rim with flowering branches and butterflies. The pheasant was the symbol of refinement and would have been a perfect choice of subject for such a refined piece as this with it’s muted tones and perfectly balanced white space-all so typical of the Yongzheng period. The plate measuring 9″ in diameter and, other than a Y-shaped line to the glaze on the reverse, it is in good condition. Circa 1730-35.
What a wonderful form! This Chinese export porcelain wine pot is modeled in the form of a standing cockerel with a chick upon its back which doubles as the knop for the cover; one of the bird’s tail feathers making up the loop of the handle. All decorated in brilliant famille rose enamels and the sort of the whimsy that fired the imagination of European collectors of Chinese porcelain in the 18th century-as it still does today! Measuring 6 1/2″ tall x 7 1/2″ wide. Restoration to the feet and cover, otherwise good condition. Qianlong period, mid-18th century.
A very fine, and very useful, pair of Chinese export porcelain jardinieres and stands of impressive size, decorated in Famille Rose enamels, each side hand-painted with a courtly Mandarin scene within quatrefoil, circular, peach, or pomegranate-shaped roundels, floral sprigs and border, and each jardiniere resting within a footed tray with floral branch designs. The jardinieres measuring approximately 10″ high (with their stands) and 10″ square (the opening 8 1/2″ square. Very good condition and dating to the 19th century.
This Chinese export porcelain dome-shouldered covered tea caddy is a really great form in very the popular Tobacco Leaf pattern. Hand-painted in this vibrantly colored and exuberantly designed pattern, this piece measures 5 1/2″ tall x 3 1/2″ wide and, with the exception of some restoration to the finial, is in very good condition. Dating to circa 1760-1780.
From a choice selection we have at present, this very fine Chinese export porcelain oval platter of impressive size, measuring 15″ across, is hand-painted in the exuberant Pseudo-Tobacco Leaf with floral and foliate designs in rich enamels with gilded highlights. In very good condition and dating to circa 1760-1780.